Using Your Wordsĭustborn is a 3rd person game where you attack people with your words.
Oh, she also has to pretend she is in a band and she has a “supernatural” ability! This story is nuts, but I am loving it.
#Dustborn game plus
It might be set in an alternative future of a country in turmoil right now, but its ability to address such huge themes means that this might just be one of the next-generation games to put at the top of your watchlist.She has a whole bunch of people after her, plus she is four months pregnant too. Thus, Dustborn feels like a game that really does need to exist in the current political and socio-economical climate. It's important because these are topics and stories that I think need to be explored in games." "But of course, it is important that our characters are all underrepresented, and that all of them are people from a different cultural background, and that some of them are refugees. These are the stories we want to explore," says Tørnquist. "It's less about making a statement than it is just this is who the game is about. It's a refreshing way to see a game presented straight from the outset. Elsewhere in this early slice of gameplay footage, we see plus-size characters, LGBTQ+ identities and narrative themes, and more represented in-game. It ranges from Pax herself, as a pregnant black woman, through characters with vitiligo, a mechanical hand, a missing eye, and of course robots. Just take a quick scan at the representation on Dustborn's bus shot alone. Diversity of humankindĮven from the short teaser trailer and gameplay footage we got to see during the Future Game Show, it's clear that making sure these characters are culturally and ethnically diverse was important to the team. And yet, the game wants to focus on interesting human stories told by those you'll meet on Pax's trip. This alternate future is a spin on what America is today, a little dystopian - although not in the grey, dark way we've come to expect as you can see in the game's art style - and shadowed by an authoritarian force. You can sort of do the back and forth, like the good guys and bad guys in an action movie." Or you can even target and yell stuff at your enemies. You could talk to your friends – because in combat, some of the other crew members, they join you and they help you out. "But even during combat, there will be ongoing dialogue. It’s not a huge part of the game, but it is an important part, especially since words as weapons is something fundamental to the game." "There’s definitely going to be some combat. So this is something that we are definitely going to do in Dustborn," explains Tørnquist. There’s a story being told while people are fighting.
#Dustborn game movie
If you watch an action movie – if you watch a Spider-Man movie for example, or an Avengers movie during combat, everybody’s very chatty. "One thing I really miss about combat in other games is that people aren’t communicating. "We're not the game that tries to preach anything or tries to be a statement necessarily, but we want our games to be about something, and to have themes, and to have an opinion." Fight with words "The idea of language, words, information, and especially disinformation, is such an important issue right now," says Tørnquist. This cataclysmic event released and unleashed the forces of disinformation, and it's this that's central to Dustborn's plot. These powers seemingly started emerging around an event that happened 30 years ago known as the Infodemic - aka the information epidemic. These characters will bring new skills and new stories to the team, all focused around the power of words and our ability to manipulate them. As you work your way across the US, moving through the various terrains that the continent has to offer, you'll discover plenty of additional characters, which you may want to add to your group.
She starts out the journey with a robot for a driver, and recruits her best friend, ex-partner, and their employer to come along with her for the big escape.
0 kommentar(er)
